ow did film noir and Disneyland each offer different and often competing visions of southern California in the post World War II era

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How did film noir and Disneyland each offer different and often competing visions of southern California in the post-World War II era? How did both tap into the prevailing concerns, aspirations, and fears of the postwar period? How were images of race and gender expressed in both film noir and Disneyland in ways that complemented these contrasting visions?

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